I could tell you how my dream from a very young age was to get on a theater stage.
How excited I was to see the capacity for creation, versatility and interpretation that the actors I saw in film, theater and television had.
Achieve being another person by jumping into different characters.
I could tell you many things about how and why I decided to be an artist, but right now that doesn't interest you much.
And if you are interested, surely you have already passed or will pass by me “ ABOUT ME ” and I'll tell you about it there.
So I'd better talk to you about what's really important right now.
How I am now, how I have worked to become one and, above all, what I can do for you and what we can do together.
"TOUCH" THE PUBLIC. Move people by telling good stories from different characters, MY GOAL.
After all, that's what this is about, right? From the public.
We create for them and without them we go nowhere. It wouldn't make much sense. Generating in someone a feeling minimally similar to what I felt with others is the best goal I can have in this profession.
Although it sounds cliché, and surely you also think the same. Even if you make money with this, even if it's your job.
It is increasingly clear to me that this is a profession that combines talent and team.
And what can I offer?
(Because if you like me, you will believe in me and we will reach the goal of the story, the project and finally, the public.)
Now I'll tell you what the public perhaps does not know or does not perceive, but that you are sure to be interested in :
Un artista que ha participado en los grandes musicales españoles como A Chorus line, In The Heights, I can't get up today, Mamma mia, My fair lady, Priscilla queen of the desert, DisneyLive! Shows, etc.
VERSATILITY
Acting, dancing and singing in a single person.
A professional who has touched all the sticks : theater, television, advertising, video clips...
I wanted to summarize it in a more pleasant way, but if you are one of those who think that a CV in hand is better than a flying website: here you can download my Professional CV and Timeline .
- Finalist Nominee asBEST SUPPORTING ACTOR in “GOSDPELL”. Soho Theater and Caribbean Studio. BROADWAY WORLD AWARDS SPAIN (2023).
- Finalist Nominee asBEST MALE PERFORMANCE in “GOSDPELL” . Soho Theater and Caribbean Studio. SPAIN MUSICAL THEATER AWARDS (2023).
- 6 winning BROADWAY WORLD AWARDS U.S.A."IN THE HEIGHTS!" And Best Director, Choreography, Lightning design, Principal male & female actors.
- 18 Nominations and9 winning HELEN HAYES AWARDS 2018. Washington DC."INTHE HEIGHTS!".
- Best winning Short film “GRANNY MAN STARTS AGAIN” NewYork City FILM Festival Selection, International Cycling Film Festival, and Interfilm awards Berlin. 2015.
- Best winning Short film “GRANNY MAN STARTS AGAIN” NewYork City FILM Festival Selection, International Cycling Film Festival, and Interfilm awards Berlin. 2015.
- MUSICAL AWARDS AWARDS Spain .Nominee Best Choreographer for ALADDIN (2008) & ONCE UPON A TIME (2012)
Aaron Cobos choreographing a number from the musical "Annie" (bso Disney). Group of initiation to choreography of Musical Theater.
There are also things worth keeping in mind, especially for those looking for a cast, that don't appear on any career listings:
Ability to work in a team. Within any project (theater, musical, fiction, cinema...), either you have that capacity, or you are very green.
I think of the project. I think of others. The good relationship I have with all my colleagues during and after the projects supports it.
Flexibility and adaptation. I am where you tell me, when you tell me.
Hyperactivity. This may seem like a negative, but when you have to train, rehearse, double, etc., it is appreciated.
Versatility. I have said this before. But having an artist in your cast who can do almost anything is a big plus (I say almost due to purely biological disabilities, I'm an adult man, that rules out certain roles).
Bilingual. If you consider exporting your new production, you can continue counting on me.
Perfectionism or rather, demanding. Perfection doesn't exist, but I can't help it, I have to work hard until I get as close to it as possible.
Quick learning ability. The actor by nature has to be able to memorize, learn dialogues, locations, marks..., when, in addition to your role, you are the cover of a partner, everything is duplicated. I know from experience.
You may be wondering:
Is it worth having you in my project?
What to tell you…
If you want an artist with experience and versatility in different artistic disciplines in your project, yes, it's worth it. But you are the ideal person to know what is best for your project.
And besides, why not put me to the test?
Nothing to lose, but perhaps a lot to gain.
You can also contact my representation agency
